Posts Tagged ‘“Grateful Dead”’

Betty Cantor-Jackson and “All Things Must Pass”

Saturday, March 20th, 2010

Betty Cantor-Jackson, longtime member of the Grateful Dead production team, tells of meeting George Harrison in a London recording studio in 1970. She gave him a bit of advice that worked out well for all of us.

A note from the authors of DeadBase

Tuesday, February 9th, 2010

DeadBase Returns! And we’re looking for a little help from our friends

We’re back! Or at least we’re thinking about it… By popular demand we are in the process of determining the feasibility of publishing a new edition of DeadBase and are looking for some help. While a totally revised DBXII is still a possibility for the future, right now we are considering putting out a reprint of DBXI with an appendix of corrections and additions to the setlists. While we are looking into the logistics of printing and distribution (can you say Amazon?) we are putting the word out to gather missing data.

That’s where you come in. We know that folks have found errors in the setlists since the last version of DeadBase came out in 1999, and we want to include a list of corrections in the new book. All proposed changes will be reviewed and evaluated, and contributors will be acknowledged in the new edition.

Please send corrections along with rationale / justification to: deadbasecorrections@comcast.net

Thank you!

Stu Nixon for DeadBase

Interview with the Starburst Commander

Thursday, December 10th, 2009

Ten-minute interview with the Starburst Commander, author of Confessions of a Dead Head. From the 12/9/09 Dead to the World.

It’s a wonderful book, a quick read (under 100 pages) but loaded with color and soul.

Also please see my previous post, which includes a nice excerpt.

Mattson replaces Kadlecik in DSO

Monday, November 16th, 2009

I guess this means John Kadlecik is going to be playing with Furthur a lot more. Dark Star Orchestra to their fans:

Dear DSO Fan –

Thank you for joining us and being a part of this continuing, long strange trip these past 12 years. Your support and excitement for the music has kept us going strong for over 1700 shows. Throughout the years, we’ve had transitions both difficult and uplifting, yet the positive energy of our fan base has continued to propel our mission onward for performing this important music and for keeping this vibrant scene alive.

That said, we, as a band are entering another chapter in this story.

Dark Star Orchestra’s lead guitarist and one of its founding members, John Kadlecik, has decided to resign from DSO. John’s last show with us will be on December 5 in Buffalo. DSO is supportive of John’s choice and we wish him the very best.

Dark Star Orchestra will continue to bring you this music at its highest level. In our 12-year history we have gone through three drummers, three keyboard players, three bass players and numerous rhythm guitarists and we have always managed to keep improving the sound and the experience. We will be taking on a new player with his own talents and energy and turn yet another chapter in DSO history.

Veteran guitarist Jeff Mattson of the Zen Tricksters and Donna Jean Godchaux Band, will be joining us this week, on the New Year’s run, Jam Cruise, and for our upcoming Winter Tour that begins in February. We assure you all the things you love about the Dark Star Orchestra experience will continue, and we ask for your patience, friendship and positive energy as we keep truckin’ on…

Dark Star Orchestra

Dead to the World 4/22/09

Wednesday, April 22nd, 2009

Wavy Gravy stopped by at the start of the show to talk about a bunch of events he’s doing in the next few weeks. He’s at the Ashkenaz in Berkeley tomorrow and Friday nights; info on the Ashkenaz site. There’s a brunch at Scott’s Seafood Restaurant in Jack London Square (Oakland CA) Sunday, May 2, 11 am to 1 pm, a benefit for Camp Winnarainbow. There’s a showing of Michelle Esrick’s film about Wavy, Saint Misbehavin’ on Friday, May 8, 6:45 pm at the Regal Cinemas Riverfront Stadium Twin in Santa Cruz, California, part of the Santa Cruz Film Festival. Q&A with Wavy after the movie. And on Thursday, May 14, there’s a cocktail party at Trader Vic’s at 9 Anchor Drive in Emeryville California, a benefit for SEVA, with music by Henry Kaiser.

Cold Rain and Snow
Picasso Moon
Never Trust a Woman
Stagger Lee
Cassidy
Truckin’->
Smokestack Lightning
Grateful Dead 7/23/90 World Music Theater, Tinley Park IL

Alligator
That’s It for the Other One
New Potato Caboose
– Grateful Dead, Road Trips 2.2 (2/14/68 Carousel Ballroom, San Francisco)
Bob Weir interview 7/18/84

This interview was done before I had any idea I was going to become a radio producer. I was gathering stories for a book, Playing in the Band: An Oral and Visual Portrait of the Grateful Dead. So the audio quality isn’t as good as it ought to be, and I hadn’t yet learned to keep my yap shut while the subject it talking. But the stories are good!

Weir: While we were working up “Alligator,” a friend of ours, John Warnecke … His father had a cabin on the Russian River. It was late spring. We packed up and went to that place and worked up a few songs, among them the first few strains of “The Other One” [the "he had to die" part] and “Alligator,” and one or two others. Most particularly “The Other One” and “Alligator.” “Caution” we had been playing for a while.

We had a little sort of a stage, a platform that I guess was for a tent, on a bluff over the river. We set up all our equipment, and you couldn’t see it from down on the river, which was about 30 feet below, because of the bushes and foliage.

We’d been watching the canoers come down the river for several days. We had one of the feedback scenarios that you hear in “Caution,” mere everybody just opens fire with all the electronic weirdness that we bad at our disposal at the time. We had all our PA gear set up so it was facing down at the river.

First off … I had a bullfrog croak that I could do through a microphone that sounded fairly convincing. If you put it through the entire PA and everything we had, it sounded like a 40-foot bullfrog. So we’d wait for the canoers to get right underneath us and then I’d open up with the bullfrog. We’d have them diving out of the canoes.

Pretty soon we’d just open fire with everything. We’d wait til they got right underneath us and then, “Ready, aim, fire!” and we’d blast them with sonic weirdness of a hellacious sort.

It was about a week and a half we spent up there — after they fished me out of jail…. I was arrested for throwing a water balloon at a cop. He was conducting an illegal search on a car belonging to a friend of mine, directly below 710 Ashbury. I considered it to be an illegal search; the car had probably been parked there for quite some time, and probably was malfunctioning and he was probably trying to see if anybody really owned the car. But I thought this was an illegal search, and it incensed me. And besides, we were having a water balloon fight inside the house at the time.

I got him from the third-story window. I didn’t actually hit him; I got it right next to him in a perfect bomb-burst pattern on the pavement. It got his shoes probably full of water.

Gans: What was the charge?

Weir: Assault on an officer. He wouldn’t have busted me, but after that I had to go out in the street and just kind of sit there and look at him and grin.

Seeds and StemsDavid Gans w/ Mike DiPirro 4/17/09 Camp Zoe, Salem MO

Blair Jackson and DSO

Wednesday, July 16th, 2008

From DeadNet Central, posted here with permission:

Dick’s Picks Resurrected > Current Topics > The Rest > Garcia

blair jackson – Jul 13, 2008 3:15 pm (#16280)

So, last night, after never having seen a second of them or heard a note, I watched a little of DSO live at the Allgood Festival in WV on iclips (they played a set that began at 2 a.m. east coast time!) Not sure how to evaluate them. As many have noted, they sound almost EXACTLY like the Dead. The “Jerry” is just like Jerry tonally and even more amazing is that the “Bob” (Rob Eaton, right?) plays just like Bob — which is a lot what makes them sound so eerily like the Dead. You just don’t hear people “do” Weir quite the way he does — it was so exacting. The bassist didn’t make an impression on me one way or another; could’ve been the TV mix. Drummers seemed fine. “Donna” wore goofy-looking headphones but sang reasonably on-pitch. Something slightly unsettling about the whole affair. I mean, I admired their ability to really nail the way the Dead played, but it’s really just an amazing simulation, because there didn’t seem to be ANY group personality outside of the imitation. I can see where if you smoked a joint and went to a club and saw ‘em it could be a pretty good time, yet I don’t think I’d spend the $30 or whatever they charge at the Fillmore to see ‘em these days. I’d rather see musicians who bring something NEW to the repertoire, even if in so doing it is less Dead-like. YMMV, and just like with a zillion other jam bands I don’t care for — Phish, Widespread Panic, etc. — I’ll root for them from afar, as fellow travelers illuminating the VERY wide Golden Road.

blair jackson – Jul 15, 2008 9:19 pm (#16321)

Hello, all! My comments about the DSO above elicited a very thoughtful personal email from DSO drummer Dino English, who was nice enough to take the time to explain some of his and the group’s philosophy/approach. I enjoyed reading what he had to say, appreciated his clear but non-defensive posture, and I’ll take it to heart. I will make a point of seeing them next time they come to the Bay Area.

I asked him if I could reprint his thoughts here and he kindly said “yes.” Whether you like or don’t care for DSO, I trust you’ll accord this hard-working and obviously well-intentioned soul the respect he deserves, and which this particular conference is well-known for. In other words, spare him the flamethrowers. He didn’t ask to air this; I asked him if I could. It’s all music, folks! Let’s support ‘em all!

Take it away, Dino:

Regarding your recent evaluation of DSO posted on DNC: Thank your for taking time to tune in and listen. I would offer you this. First, seeing us on screen is a fairly two dimensional situation. I like that people have the ability to tune in and check out a live show via the internet but I believe we can come off a little flat on a screen. We are a live band. Our aim is to play this music as well as we can. Being entertainers should maybe be more up on our list but it just isn’t. We prefer for the music to speak for itself.

Any “simulation” or similarity in our movements is really unintentional and in my best guess a bi-product of the way the music is played and made…. I’m serious. We are not concerned with looking like them at all… although I do admit there is some natural similarity with a few. But again, it’s all about the music which is the only thing we are concerned with. In regard to our performances nothing else is ever cared about or discussed…. including a “group personality.” We are who we are and if we lack any group personality it’s because we don’t care. I will offer you this however… if you listen to us with any regularity you will soon hear how our own musical personality permeates the music and you will hear how different we sound from the Dead. We know we aren’t the Grateful Dead and we don’t truly sound like them. We can’t get away from ourselves. We are concerned with presenting the music the way we like to hear it which is in a more traditional manner. We like to hear the basics of all the parts. … the melody, the harmonic structure of the chords both sung and played, and the rhythms. Much of these parts are missing from the other bands playing this music… and they are actual parts. Our approach is that these are essential parts of the song. In addition, songs are not static to us as our approach to each song changes nightly. We just have an intimate knowledge of most places that song has been in the past so that we can use that as springboard. Just as Charlie Parker knew the basic melody before he improvised and embellished on it we know the basic harmonic structure of the song and all it’s parts so that we can embellish the song with different arrangements.

As far as jams are concerned it’s wide open for us and we are always seeking the deeper jam. Some have thought that we play a note for note rendition of a show. That we find preposterous, pointless, and impossible. We will from time to time listen to a jam they did for inspiration of course.

Basically, all we are is an offspring of the Grateful Dead. Just as some kids look more similar or different than their parents and some kids follow more closely to the family business than others, we are the kids who resemble our parents more. Phish, Widespread, Keller…. basically offspring of the Dead as well …. Kids with less resemblance. Kind of a funny analogy… I’m not a Star Trek fan per se but I can see a parallel between the original Star Trek and Star Trek the Next Generation. The journey continues with a different crew…. and a younger audience, although many of the older original show’s audience still tunes in and enjoys.

I could go on and on about this whole thing but my personal belief is (and I think most of the other in DSO believe, if not in this, in a similar parallel) that Grateful Dead music is a living, breathing entity that has a mind of its own. The music was made or birthed by the band, but was not the Grateful Dead the band. The music played the band and the music possessed the band. Now that the Grateful Dead is no longer, the music survives through other bands. I believe this music will survive long after Phil, Bob, Mickey, and Bill are gone, as it will continue after long after Dark Star Orchestra is gone. It’s a hand-me-down… DSO is just one part in the chain, but it is apparent that we do serve a purpose, as evidenced by the many who attend and enjoy our shows.

And a more basic evaluation is that we are just Dead Heads playing the music we like in the way we like to hear it. That’s pretty much it.

Grateful Dead Hour #1034

Sunday, July 13th, 2008

Week of July 14, 2008

Part 1 22:42
Grateful Dead 2/26/77 Swing Auditorium, San Bernardino CA
SAMSON AND DELILAH
TENNESSEE JED
THE MUSIC NEVER STOPPED

Part 2 33:13
Bill Cutler, Crossing the Line
ROCKINGHAM MILL
Grateful Dead 2/26/77 Swing Auditorium, San Bernardino CA
HELP ON THE WAY->
SLIPKNOT!->
FRANKLIN’S TOWER

Support for the Grateful Dead Hour comes this week from:

Gathering of the Vibes July 31-August 3 in Bridgeport, CT with Phil Lesh and Friends, The Black Crowes, Derek Trucks and Susan Tedeschi, New Riders of the Purple Sage, The Neville Brothers, Zappa Plays Zappa, Donna Jean and the Tricksters, Dark Star Orchestra, Jackie Greene Band, and many more. Tickets, directions and complete information available at gatheringofthevibes.com.

Roy Schneider and the Roadside Turtle Rescue: friendly, funny, smart American songs in a down-home style. On CDBaby.com and royschneider.com

Grateful Dead Egypt trip

Friday, July 11th, 2008

Announced on DeadNet today:

2-CD/1-DVD Collection Rocking The Cradle: Egypt 1978 Celebrates The 30th Anniversary of the Band’s Historic Concerts at Giza With Previously Unreleased Audio and Video

Fans Who Pre-Order on Dead.net Will Receive an Exclusive Bonus Disc Containing Additional Egypt Performances

Available September 30 from Grateful Dead Productions and Rhino

Grateful Dead Hour #1032

Sunday, June 29th, 2008

Week of June 30, 2008

Part 1 31:50
Grateful Dead 2/26/77 Swing Auditorium, San Bernardino CA
TERRAPIN
MINGLEWOOD
THEY LOVE EACH OTHER
ESTIMATED PROPHET

Part 2 24:05
Grateful Dead 2/26/77 Swing Auditorium, San Bernardino CA
SUGAREE
Donna Jean and the Tricksters (unreleased studio track)
TILL THE MORNING COMES
Donna the Buffalo, Silverlined
BIGGIE K
I DON’T NEED A RIDDLE

The Grateful Dead went to southern California early in 1977 to record an album with big-time producer Keith Olsen, who had made a huge name for himself by producing the 1975 breakthrough album by Fleetwood Mac. The Dead had some very interesting new material, plus a new arrangement of an old favorite, “Dancin’ in the Streets,” and Bob Weir’s powerful interpretation of Reverend Gary Davis’ “Samson and Delilah,” which debuted when the Dead returned to touring in June of 1976 after a 20-month hiatus. This 2/26/77 show was the first concert the Dead played after spending several weeks in the studio, and I think you can hear it in the clarity and dynamics of their performance. This was the public’s first exposure to a pair of Grateful Dead masterpieces – Hunter and Garcia’s “Terrapin Station,” which opened the show, and Bob Weir and John Barlow’s “Estimated Prophet.” The rest of the set is pretty damn fine, too, as you’ll hear over the next few weeks.

Also in this program are two tracks from a new studio CD by Donna the Buffalo, Silverlined, and a sweet new studio single of “Till the Morning Comes” – which originally appeared on the Grateful Dead’s 1970 studio masterpiece American Beauty – from Donna Jean and the Tricksters. From the DJ&T web site:

Dear DJ&tT-heads:
As you may have heard, the band recently recorded the song “Till the Morning Comes” – call your local station and tell them to play it! Meantime, we’re in a situation in which we REALLY want to include it with the debut CD, but since there are physical CDs out there in stores and such, we can’t, immediately. Sooo this is what we’ve worked out. If you buy the digital album online, you’ll get the new song automatically. If you buy the CD in a store after July 1st, you can download “Till the Morning Comes” for free. You should find a coupon in the CD that tells you what to do – and if not, email us at band@donnajeanandthetricksters.com, and we’ll tell you how to do it. If you just want the new song, you can buy that one too as a download. Either way, remember to support live music of all kinds, especially Donna Jean and the Tricksters!

Support for the Grateful Dead Hour comes this week from Grateful Dead Productions, announcing the release of Road Trips volume 1 number 3. Summer ’71 has a full CD of music from July 31 ’71 at the Yale Bowl and a full disc recorded August 23 of ’71 at the Auditorium Theater in Chicago, plus liner notes and rare photographs. There’s also a bonus disc with two more tracks from the Yale Bowl, and eight more songs from August 4 and 6, 1971. Information, cover art, reviews and message board are online at dead.net

GD photo site

Thursday, June 26th, 2008

Paul Stanley posted this link in a comment elsewhere in this bog.

Grateful Dead on the Backstage Gallery
.